Edition Typeface is a family of one-line fonts. Without a defined thickness, the letterforms are determined by the shape of a line and its path created by various CNC tools. The skeleton of each style recites a historical type classification. Contextual, Timeless & Timeless Edition are shaped by formal aspects coming from the letterpress era. Classics like Caslon, Garamond, Times New Roman etc. were taken as inspiration for this style. Medieval Edition is tracing the forms of decorative medieval broad nib pen lettering and with its characteristical high x-height/Unicase, inevitably exhibits features of the Art Nouveau style. International Edition is a direct reference to the swiss/international typographic style that emerged around the early 1920s. International Edition is a direct reference to the swiss/international typographic style that emerged around the early 1920s. Its source of letterforms are taken from modernist classics like Akzidenz Grotesk or Helvetica. It comes with an additional italic/oblique style. Scriptual Edition is referring to the writing done by hand using a tool, such as a pen or pencil, reciting formal aspects of 18th and 19th century Script Typefaces. Geometrical Edition is a  geometric sans-serif typeface, inspired by typefaces like Herbert Bayers universal or Paul Renners Futura, which originated, based on circles and squares in the bauhaus in the early 20th century. Numerical Edition is based on the stylistic features, that were introduced in the early computer era, displayed on CRT screens. Several formal aspects are taken from the OCR Fonts. Asymmetrical Edition is the interpretation of a typeface seen in a 19th century specimen and is an example to the experimental approach to type design. Alongside digitally optimized fonts, Edition remains true to its origins and is also available as a single-line version for plotting, engraving, etc. 

Characterset Overview

Contextual Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Medieval Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Timeless Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Timeless Italic Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

International Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

International Italic Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Scriptual Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Geometrical Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Numerical Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Asymmetrical Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

How to use Editions Single Line Font Version in Illustrator:

1. Design Layout with Open Path Version of the Font

2. Convert to Outlines

3. Run Script "OpenPaths" 

4. You can now apply different brushes to the Font or use it for CNC etc. …

< eliashanzer.com 

Phase Typeface >

To access the Edition typetester and trials please visit the desktop version of this website. Thank you!

Aa

NEW: Medieval Edition

Edition Typeface is a family of one-line fonts. Without a defined thickness, the letterforms are determined by the shape of a line and its path created by various CNC tools. The skeleton of each style recites a historical type classification. Contextual, Timeless & Timeless Edition are shaped by formal aspects coming from the letterpress era. Classics like Caslon, Garamond, Times New Roman etc. were taken as inspiration for this style. Medieval Edition is tracing the forms of decorative medieval broad nib pen lettering and with its characteristical high x-height/Unicase, inevitably exhibits features of the Art Nouveau style. International Edition is a direct reference to the swiss/international typographic style that emerged around the early 1920s. International Edition is a direct reference to the swiss/international typographic style that emerged around the early 1920s. Its source of letterforms are taken from modernist classics like Akzidenz Grotesk or Helvetica. It comes with an additional italic/oblique style. Scriptual Edition is referring to the writing done by hand using a tool, such as a pen or pencil, reciting formal aspects of 18th and 19th century Script Typefaces. Geometrical Edition is a  geometric sans-serif typeface, inspired by typefaces like Herbert Bayers universal or Paul Renners Futura, which originated, based on circles and squares in the bauhaus in the early 20th century. Numerical Edition is based on the stylistic features, that were introduced in the early computer era, displayed on CRT screens. Several formal aspects are taken from the OCR Fonts. Asymmetrical Edition is the interpretation of a typeface seen in a 19th century specimen and is an example to the experimental approach to type design. Alongside digitally optimized fonts, Edition remains true to its origins and is also available as a single-line version for plotting, engraving, etc. 

Characterset Overview

Contextual Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Scriptual Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Geometrical Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Numerical Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

Asymmetrical Edition
A Á Â Ä À Å Ã Æ B C Ç D Ð E É Ê Ë È F G H I Í Î Ï Ì J K L M N Ñ O Ó Ô Ö Ò Ø Õ Œ P Þ Q R S T U Ú Û Ü Ù V W X Y Ý Ÿ Z a á â ä à å ã æ b c ç d ð e é ê ë è f g h i ı í î ï ì j ȷ k l m n ñ o ó ô ö ò ø õ œ p þ q r s ß t u ú û ü ù v w x y ý ÿ z 0 1 2 3 4 5 6 7 8 9 ⁄ ½ . , : ; … ! ¡ ? ¿ · • * # / / \ ( ) { } [ ] - – — _ ‚ „ “ ” ‘ ’ « » ‹ › " ' ¢ ¤ $ € ƒ £ + − × ÷ = > < ± ¬ ~ ^ % ‰ ↑ ↗ → ↘ ↓ ↙ ← ↖ ↤ ↥ ↦ ↧ ↰ ↱ ↲ ↳ @ & § © ° | ¦ † ‡       

How to use Editions Single Line Font Version in Illustrator:

1. Design Layout with Open Path Version of the Font

2. Convert to Outlines

3. Run Script "OpenPaths" 

4. You can now apply different brushes to the Font or use it for CNC etc. …